Articles and Publications
PLATFORM, Powerful bodies, essay by Max Kaario, 2022
Plinth, Horsing Around, essay by Eloise Hendy, 2022
studio international, Kate Groobey, interview by Anna McNay, 2022
Apple and Hat, NADA Curated 'Like a child,' review by Rebecca Geldard, 2022
SIM SMITH, Prospect & Refuge, Artist Q&A with David Surman, 2022
SIM SMITH, Wild Horses, press release by Nancy Dewe Mathews, 2021
The Brooklyn Rail, Wild Horses, Artseen by Claire Phillips, 2021
SIM SMITH, Start Again, essay by Charlotte Jansen, 2020
SIM SMITH, Start Again, press release, 2020
SIM SMITH, Start Again, in conversation with Omar López-Chahoud, 2020
SUPER FLATLAND, essay by Paul Carey-Kent, White Conduit Projects, 2020
RIBOT, Assholes of Ambition, catalogue essay/ edited by Maria Villa, 2019
Bijutsu Techo (Japanese), by Yuko Harada, 2018
Bijutsu Techo (English), Stepping into the Picture, by Yuko Harada, 2018
Metropolis, Pure Pleasure, interview with Julia Mascetti, 2018
IKON, Pure Pleasure, text by Jonathan Watkins, 2018
Mizuma Gallery, Something Flippant (Pure Pleasure), catalogue essay by Jonathan Watkins, 2018
Outsideleft, Kate Groovy! by Ancient Champion, 2018
Metropolis, Pure Pleasure by Kate Groobey, text and interview by Julia Mascetti, 2018
Aesthetica Magazine, Daiwa Foundation Art Prize, interview, 2018
The Brooklyn Rail, I’m Made of Milk, review by Alfred Mac Adam, 2017
SEAN HORTON (PRESENTS), I'm Made of Milk, press release, 2017
Ever Gold Projects, The Good Life, press release, 2017
Novembre Magazine, Story: Kate Groobey, by Jean-Salomé Rochat, 2017
Dinaburgarts, Three Women Refashion Figuration, essay by Alfred Mac Adam, 2017
Redling Fine Art, Perfect Potatoes, press release, 2016
Printed Matter, Painting Regarding The Present, by André Hemer, 2016
ID-Vice (German), Groobey Paints The Body The Way We Feel It, Zsuzsanna Toth, 2016
ID-Vice (English), Groobey Paints The Body The Way We Feel It, Zsuzsanna Toth,2016
David Lynch Club, Perfect/Parfait, press release, 2015
Dapper Dan Magazine, Opinions and Inspirations, Pants down!
Thames & Hudson, 100 Painters of Tomorrow, 2014
Metro, London, Bloomberg New Contemporaries ICA, review by Fisun Güner, 2012
New York Arts Magazine, Groobey Dismembers, Then Reassembles by Madeleine Jones, 2011
Artlyst, The ICA Finds Its Legs, Bloomberg New Contemporaries, by Alison Seligman, 2011
Bloomberg New Contemporaries Catalogue Text, Heather Phillipson, 2011
Newspeak: British Art Now Part II Catalogue Text, Paticia Ellis, 2010
Electronic Beats Magazine, Modern Painting: Canvasing New Truth, Emer Grant, 2010
Mare Street Biennale catalogue Text, Douglas Park, 2010