Education 

1997 - 2000

BFA Ruskin School of Drawing & Fine Art, Oxford University, Pembroke College

2008 - 2010

MA Painting, Royal College of Art, London

Awards 

2018

Creative Development Funding, Arts Council England

2018

Daiwa Foundation Art Prize, London/Tokyo

2008

Stanley Smith Scholarship, Royal College of Art

Exhibitions 

Solo

2019            Assholes Of Ambition, RIBOT, Milan

 

2019            Pure Pleasure, Atopos with Ikon Gallery, Venice

 

2018            Pure Pleasure, Ikon Gallery, UK

 

2018            Pure Pleasure, Mizuma Gallery, Tokyo

 

2017             I'm Made of Milk, Horton Gallery, New York 

 

2017            The Good Life, Ever Gold Projects, San Francisco 

 

2016            Perfect Potatoes, Redling Fine Art, Los Angeles 

 

2015            Perfect | Parfait performance, David Lynch Club Silencio, Paris 

 

2014            Ofr.  Invites Kate Groobey, Paris. 

 

 

 

 

Selected group exhibitions

 

2019            What Kind Of Spirit Is This? SIM SMITH, London

 

2019             L.A Art Show, Mizuma Gallery, Los Angeles

 

2018             Daiwa Foundation Art Prize, London

 

2018             Played, Ebensperger Galerie, Salzburg

 

2018             Desires, GNYP Gallery, Berlin

 

2017             UNTITLED, Horton Gallery, Miami

 

2016             NADA, Ever Gold Projects, NYC

 

2016             The Classical, Transition Gallery, London, curated by Kris Day

 

2016             Performance Night & Party, Code South Way, Marseille, curated by Emmanuelle Luciani

 

2016             SURRREAL, König Galerie, Berlin 

 

2016             Art16, Villa Lena Foundation, London

 

2015            Figuratively Speaking, Marcelle Joseph Projects at Heike Moras, London.

 

2014            100 Painters of Tomorrow, Beers Contemporary, London

 

2013             I did did I, ASC Gallery, London, curated by Kes Richardson.

2012             The Perfect Place To Grow: 175 Years of the Royal College of Art    

 

2012             Making Waves: International Contemporary Art from the Saatchi Gallery

2012             Backwards Man, CGP London, Cafe Gallery

 

2011              Bloomberg New Contemporaries 2011, ICA (London), Site Gallery, S1 Artspace (Sheffield)

2010             Newspeak: British Art Now Part II, Saatchi Gallery, London 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Kate Groobey | Novembre Magazine

Articles and Publications

 

RIBOT, Assholes of Ambition, catalogue essay/ edited by Maria Villa, 2019

Bijutsu Techo, Kate Groobey by Yuko Harada, 2018

Metropolis, Pure Pleasure, interview with Julia Mascetti, 2018

Mizuma Gallery, Pure Pleasure, catalogue essay by Jonathan Watkins, 2018

Outsideleft, Kate Groovy! by Ancient Champion, 2018

Metropolis, Pure Pleasure by Kate Groobey, Julia Mascetti, 2018

Aesthetica Magazine, Daiwa Foundation Art Prize, 2018

The Brooklyn Rail, I’m Made of Milk, review by Alfred Mac Adam, 2017

Novembre Magazine, Story: Kate Groobey, by Jean-Salomé Rochat, 2017

Dinaburgarts, Three Women Refashion Figuration, essay by Alfred Mac Adam, 2017

Printed Matter, Painting Regarding The Present, by André Hemer, 2016 
ID-Vice, British Artist Kate Groobey Paints The Body The Way We Feel It, Zsuzsanna Toth

Dapper Dan Magazine, Opinions and Inspirations, Pants down! 
Thames & Hudson, 100 Painters of Tomorrow, 2014 
Metro, London, Bloomberg New Contemporaries ICA, review by Fisun Güner, 2012

New York Arts Magazine, Groobey Dismembers, Then Reassembles by Madeleine Jones, 2011

Artlyst, The ICA Finds Its Legs, Bloomberg New Contemporaries, by Alison Seligman, 2011

Bloomberg New Contemporaries Catalogue Text, Heather Phillipson, 2011 
Newspeak: British Art Now Part II Catalogue Text, Paticia Ellis, 2010 
Electronic Beats Magazine, Modern Painting: Canvasing New Truth, Emer Grant, 2010

Mare Street Biennale catalogue Text, Douglas Park, 2010

 © 2019 Kate Groobey

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